Concord Marching Minutemen. Keep up with the
band behind the book.
Indiana State Fair Band Day, held on the first day of the fair, is arguably
the longest-running band contest in the country. The parade-style contest
takes place on a dirt track in front of an always full grandstand.
Indiana field bands perform their maneuvers on a football field. Over a
competitive season, about 200 bands are winnowed to ten in each of four size
classes. Finalists compete in the RCA Dome in front of an audience of more
than 40,000. The website (run by the same Indiana band director who compiles
the State Fair Band Day site) profiles dozens of Indiana bands.
Indiana Marching is
just what its name says: a site for Indiana band geeks, by Indiana band
geeks, with geeky analysis, video, and discussion—all
of it done, and done well, on a shoestring.
Marching.com tries
to do for the country what Indiana Marching does for one state. The marching
band site can’t cover every contest or every
state, but it gives a reasonable overview of marching bands in many
parts of the country.
Bands of America has
been in the marching-band business for more than 30 years; in 2006, the
company became part of the Music for All non-profit. BOA’s national championships are held every year in Indianapolis, and many
workshops and regional competitions have drummed up new interest in
marching bands across the country.
Drum Corps International calls
itself “marching music’s major
leagues.” The mostly college-age musicians go through an audition process
and, if they make it, a summer competition season, that can make playing
for the pros seem like the easier choice. Drum corps events are held all
over the country between May and August and culminate in a “World Championship” in
mid-August.
Support Music stands out among the many sites devoted to stopping budget
and staff cuts in music programs because of its detailed, systematic, and
effective tips for music advocates. Start here if you want to know how to
support your local music programs.
Of the many sites that try to address issues in music education, Mr.
Holland’s
Opus Foundation is perhaps the best example of an organization that has
tightly defined its mission—donating new and refurbished instruments to students
in school districts that can’t otherwise afford them. The non-profit
has donated $4.7 million in instruments, often with a flourish worthy
of its namesake.
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